One characteristic of classics is that they tell us the most ordinary things in extraordinary ways. Alice’s constant growing and shrinking, for example, teaches her that nothing is what it seems to be. And Pinocchio’s nose shows him that lying doesn’t pay. 'Iep!' is based on a similar principle. Like Deesje and Bobbel, main characters in Van Leeuwen’s previous books, Eep is pervaded by an enormous longing for freedom, a demand for space for people as they are. Eep is a creature with little wings and little limbs that closely resemble legs. Little legs with little toes and ‘little nails on those toes and tiny little crumbles of earth under those nails on those toes on those legs.’ A little angel fallen from heaven, half bird and half human. And since Tine and Warre have wanted a child for so long, they decide to keep their foundling and look after it as best they can.

Original title
Joke van Leeuwen

This original idea is the starting point for a philosophical and witty story about the wonders of creation, the need for selfless love and the freedom to go your own way. That can be painful for parents, because when their beloved Eep suddenly flies off to the sunny south they don’t know what’s hit them. In their search for their foster child they meet the strangest characters: a girl whose father is always busy, a saviour of mankind and a boy who can’t stop thinking about ghosts and spirits. These meetings teach Warre and Tine that people have to be where they belong. For Eep that’s the warm south, for Tine it’s the north where ‘it could be quite warm, if it wasn’t cold’, and Warre prefers to keep on peering into the distance.

No one has any difficulties with Eep’s ambiguous character. ‘In her own country Loetje had never seen anybody with wings. But she wasn’t at all surprised that they existed. She’d learnt from the TV that there were people who could turn a man into a woman or vice versa. And that they could make peaches and plums grow together into one. And maybe they could do the same thing with berries and apples too. Then you’d end up with berrles or applies or something like that.’

To be able to draw and write like this and combine these two elements into to a whole is a fantastic ability. An art that Joke van Leeuwen has completely mastered.

Mariette van Halewijn, De Standaard

Joke van Leeuwen exploits fully the possibilities of language and childish logic and this makes Iep! breathtakingly beautiful, both in its events and its ideas. Not least of all because of the alternation of text and drawings. The latter continue where the words end.
Joke Linders

A magnificent children’s book the like of which you seldom encounter. The witty and unusual plot, the unsurpassed play of words (…) the brilliant combination of seriousness, emotion and mirth makes the book an absolute masterpiece of children’s literature.

Annemie Leysen, De Morgen

A effervescent quest crammed with absurd and fascinating meetings, coincidences and observations.

Jury’s Report Golden Owl 1997

Anyone who can express so much in a story this clever and exciting, can be called the creator of a classic children’s book.

Algemeen Dagblad
Joke van Leeuwen
Joke van Leeuwen (b. 1952) writes prose and poetry for children and adults as well as working as an illustrator and performer.
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