(Querido Kind, 1998, 121 pagina's)

‘Gijsbrecht is a hero.’ That is the first line of Gijsbrecht. Heroes fight, as we all know. Heroes enter bravely into the fray, heroes give their lives for their cities, heroes don’t run away. But that’s not always pleasant for a hero’s wife. Gijsbrecht’s wife, Badeloch, would rather have Gijsbrecht home more often, rather than off performing heroic deeds. She finds it hard to be a hero’s wife: ‘I saw it coming – at our wedding the storm swelled and has never died down again.’ A beautiful sentence, notes a character who hears her lament. And he’s right – Edward van de Vendel does put beautiful sentences in his characters’ mouths.

(Querido Kind, 1999, 40 pagina's)

The barrage of aggressive exclamations this picture book opens with – ‘Biff!’, ‘Bam!’, ‘Wham!’, ‘Thwack!’, ‘Smack!’ – appears to be appealing to toddlers’ liking for noise and violence. The aggressiveness, however, ebbs away entirely in the following passage: ‘The blows rain thick and fast. The walls hit back – but only gently’.

(Querido Kind, 1999, 148 pagina's)

The book is situated successively in a provincial town in the Netherlands, a summer camp in Knoxville, USA, and a town in Norway, is about the budding identities of two boys. In order to discover who he is and what he is capable of, after his final exams, Tycho who had an extremely sheltered upbringing, leaves for a year at an American summer camp.

(Querido Kind, 2003, 64 pagina's)

Super Guppy is a collection of fifty-one wonderful, multifaceted poems for children of six years and up. Van de Vendel stays close to home: splashing through puddles and getting your socks wet, being tucked in at night by Mum, and having a plaster on your knee – ow! – taken off. To these familiar things, he adds dimension, an unusual way of seeing things, to make the young reader work a little. The storm lashes at the windows, but it breathes too, just like the child, for instance. Or a dead blackbird lies ‘folded flat / in the station on the ground’ and no one notices, not even Mummy.

(Querido Kind, 2008, 332 pagina's)

De gelukvinder is a spectacular book for adolescent readers, in which Edward van de Vendel relates the eventful life of Afghan refugee Hamayun, a seventeen-year-old whose character is based on that of co-author Anoush Elman. Together with his family, Anoush fled from the Taliban, ending up in the Netherlands more or less by chance, after an incredible journey.

(Querido Kind, 2011, 120 pagina's)

‘Seeing him was always a surprise, because he was so beautiful and white, and a little bit mysterious.’ Nine-year-old Kix and his younger sister Emilia fall in love with a big Pyrenean mountain dog the instant he walks into their lives. The dog is nervous and thin, with sad eyes and tangles in his ‘warm snowy fur’. Slowly the children gain his trust. But where did he come from?

This heart-warming story is one of Edward van de Vendel’s best books so far, mainly because of its tone. Based on a true story, it flows as if telling itself. Kix’s voice and experiences strike the reader as utterly authentic.

(De Eenhoorn, 2012, 156 pagina's)

There are plenty of children’s books about imaginary friends, but this poetic tale is just a little bit different. The fantasy creatures that appear to Moonie and her brother Raf are like totem animals, symbolizing their characters. They help Moonie to become more self-confident and Raf to control his anger.

(Querido Kind, 2014, 40 pagina's)

See Ya! is a gentle story about a little girl called Marie, who playfully helps to chase away her big brother Ben’s nightmares.

(Querido, 2015, 160 pagina's)

Driven by their relentless curiosity and unbridled fantasy, Edward van de Vendel and Martijn van der Linden present the okapi as a “splendid and silent mystery animal”. Remarkable facts about one of the last large mammals to be discovered alternate with small okapi stories and cheerful little okapi poems. Van de Vendel’s words are interspersed with Van der Linden’s striking and original illustrations, which show a remarkable range of styles composition and atmosphere.

(Querido, 2015, 215 pagina's)

So it can be done: writing an original and moving YA novel about young people with cancer after John Green’s The Fault in Our Stars. Edward van de Vendel and Roy Looman have done so, in a way that feels completely authentic and personal. They have chronicled Roy’s story in The Junior Cancer Championship – a rather provocative title that shows exactly what it’s all about.

(Querido, 2017, 48 pagina's)

This form of poetry is still unique in the world: poems in the form of comic strips. And in this third collection of comic-strip poems, the two-man genre of poet Edward van de Vendel and illustrator Floor de Goede, the creators have refined and developed their skill.

(Querido, 2018, 80 pagina's)

Little Fox is the result of a real urge to experiment, the power of language, a love of life, and an outstanding collaboration between illustrator Marije Tolman and author Edward van de Vendel. The central figure in this harmonious picture story is a fox cub who wants nothing more than to discover life, but then takes a tumble and finds himself in a dream that is actually a near-death experience.

(Querido Kind, 2019, 72 pagina's)

‘Poems that will be of some use to you’ is the subtitle of this textually and visually multi-faceted collection of poetry by Edward van de Vendel and Martijn van der Linden.

(Querido, 2020, 73 pagina's)

In this book, an endearing bunch of losers of a beauty contest join forces. Ayla, Juultje, Tinker & Swing and Miep are disqualified from the contest because they are a zebra (striped), pony (too small), stallions (boy horses) and a seahorse (way too small). The five of them decide that this is not fair – and they fight back.

(Nieuwezijds, 2021, 275 pagina's)

Writer Edward van de Vendel, illustrator Floor de Goede and the most famous mathematician in the Netherlands, Ionica Smeets, have joined forces to show how closely life and maths are connected, in this book told from the perspective of a primary-school class.

(Querido, 2022, 156 pagina's)

The story of how this book came to be is a tale in itself. Over fifteen years ago, Van de Vendel met a family of Afghan refugees. One of the children, Anoush, who was 17 at the time, told him about his dangerous journey to the Netherlands, and the two of them wrote a book about it together.