Krassen in het tafelblad
A barred prison window with a head behind
When Daisy’s Grandma dies, the girl realises to her surprise that she barely knew her and that her mother does not seem particularly upset. Daisy goes to stay with her kind, sensible Grandad, to cheer him up a bit in his loneliness. There begins the search for the woman who was her grandmother. Like a cunning, dogged detective, bit by bit she pieces together what has never been talked about in the family and why.
Grandma was an independent woman, with an original frame of mind. She needed to spread her wings, but lacked the courage to defy the restrictive spirit of the times. She gave up her dreams to settle down with her husband. This turned her into an embittered, intolerant wife and mother, with a duster in her hand from dawn ‘til dusk. In the garden house Grandad once built especially for her, Grandma left a sad, but enlightening vestige of her existence: a barred prison window has been scratched into the table top, with a head behind.
Perhaps the finest of all Kuijer’s works, a few years ago this book was successfully turned into an impressive children’s film. The author is brilliant at writing childish dialogue and, as always, succeeds in describing people and situations to a tee with a minimum of words and dry humour. It is a sign of true genius in youth literature to be able to write at a simple level about the real issues that every human life revolves around: the relationships between loved ones and between parents and children. Kuijer presents his characters warts and all. He does not judge, but gently encourages Daisy, the child who, observing with amazement the mess that grownups make, continues to ask questions. Even when she is well aware the questions are awkward.
By Bregje Boonstra