And another daily, Trouw, wrote: ‘Schaffer shows what kind of animal things a man is capable of and how little human lives are worth sometimes. He does this with humour, with schwung, tenderly and thoughtfully; in poetry in which bloodlust can look like a “massive bar of dark chocolate.” (…) Man Animal Thing grabs you by the throat.’ Partly inspired by Chaka, a famous South African novel from 1931, written by Thomas Mofolo, the book charts the imaginary progress of the nineteenth- century statesman and tyrant, Shaka Zulu (1787-1828). Structured around a series of daydreams and major events in Zulu’s life, the poet extracts Zulu from the historical past and moves him to the modern media age where speed dating, UFOs and effervescent painkillers are the norm. The collection is hugely diverse, from lyrical poetry to tweets – to wit: ‘SHAKA’S COURT CASE LIVE FROM NEWS24’:

7:20 A closely-guarded Shaka Zulu hurries through the Court’s back entrance.
7:41 The row of journalists at the main entrance twists and turns like a spastic snake.
8:13 @SimonsH06. Made it! We’re on the fourth row! S. crumpled up next to his mother on the front row. #Shakasmum

Schaffer’s poetry has shifted from linguistic experimentation, unsettling observations in a sober business-like tone and reflections on life’s incoherence to a more mature, overarching vision in which formal and conceptual experiment goes hand in hand with lucid, lyrical texts. His early promise has been more than realised.