‘I take the brains’
A Thin Permanence is the title of one of Hester Knibbe’s collections. The title says much about her poetry: a poetry in which the attention for things permanent invariably combines with themes like vulnerability, fragility, transience.
Permanence, says Knibbe, is only appearance, in a sense, because all those things that seem to have stood the test of time – classic art, Greek mythology, Chinese temples – have not always remained the same: ‘Change has always been/ here’.
It is change, the motion of life, which Knibbe tries to come to grips with in her poems. Not to understand it unequivocally, but to probe it, give it a form by which to get hold of it. While she keeps her distance, the poet finds images that represent the actual events as well as her personal experience of them.
Since 1982, Knibbe has published over a dozen volumes of poetry. In 2001 she received the Anna Blaman Prize for her work. The jury report emphasized the development that is so apparent in this oeuvre: a development ‘from tentative, groping poems to an effective, surefooted poetry which stands as if it has always been here.’ In 2015, her collection Archaic the Animals won the top Dutch-language poetry prize, the VSB Poetry Prize; she was also appointed as the Rotterdam City Poet Laureate.
Comparing the poems from her earliest collections, Between Gestures and Words and Girl in a Bathing Suit with those in the latest volume, we find much similarity, especially in form – frequent use of internal rhyme and enjambment, flowing rhythm – but striking differences and ongoing development as well.