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Bette Westera

Bette Westera (b. 1958) is a versatile writer who creates modern fairytales, poems, picture books and realistic stories for children up to the age of around ten. After a short period as a primary-school teacher, she studied psychology. Bette now teaches people how to write stories for picture books. Her other great passion is music. She sings and writes lyrics for the music that her partner composes.

Oma’s rommelkamer

Oma’s rommelkamer

(De Fontein, 2005, 128 pagina's)

Oma’s rommelkamer (Grandma’s Junk Room) by Bette Westera is an intimate book about the strong bond between a grandmother and her granddaughter. Sofia and Grandma are the best of friends and they both have a great time on the regular occasions when Sofia comes to stay for the night.

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Aan de kant, ik ben je oma niet!

Aan de kant, ik ben je oma niet!

(Gottmer, 2012, 60 pagina's)

Children’s author Bette Westera and illustrator Sylvia Weve have taken a unique and gently anarchic approach in these vibrant and powerful portraits of twelve old people, with their snappy rhymes and eloquent images. Scram! I’m Not Your Gran! demonstrates how craftsmanship and artistry can come together to produce an imaginative children’s book that playfully combines ethics and aesthetics, emotion and humour.

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Kietel nooit een krokodil

Kietel nooit een krokodil

(Gottmer, 2014, 32 pagina's)

Robber Chief Wrinklebeard has two cheeky sons and a very obedient daugh­ter. On his deathbed he gives his children the following advice: do what you want, steal anything from anyone, but never tickle a crocodile. Only his obedient daughter does as she’s told.

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Doodgewoon

Doodgewoon

(Gottmer, 2014, 112 pagina's)

Unique, unorthodox and unflinching: this describes children’s writer Bette Westera and illustrator Sylvia Weve’s approach to death in all its aspects. These poems, rhymes and songs range from poignant to light-hearted in tone and invite the reader to recite them out loud. Weve’s outstanding, evocative illustrations are marked by their diver­sity of style, composition and atmos­phere, beautifully complementing the poems and completing the collection.

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